In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.

Molly Egan, an almshouse resident, takes part in picketing a laboratory developing nuclear weapons. Judge Henry Pulaski finds her guilty of “trespassing.” Not heeding his warning, Molly again participates in the picket, for which she goes to prison.

In the summer of 1944, in a peaceful resort town in the Nazi-occupied Yugoslavia, an easy-going lifeguard takes in a widow of a partisan and her young son. Their relationship grows until he unknowingly saves a Nazi officer from drowning.

Dave, a family man and middle-aged gardener, goes into a competitive frenzy when his annoying neighbor buys and plants a brand new rose bush.

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A musical comedy of false identities.

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Japanese architect Yoda is hired as groundskeeper for retired criminal Benson Burleigh.

Based upon the life of activist and trade unionist (and later MP) Sonja Davies. The film covers her life up to 1956, when, at age 33, she was elected to the Nelson Hospital Board. During this period she develops strong socialist beliefs, marries and divorces, at age 17 trains as a nurse, has a romance (and a child) with an American marine who is killed in WWII action. She battles tuberculosis and marries a former boyfriend when he returns from the war. She becomes part of a women's ill-fated campaign to save the Nelson railway line from closure and begins to be elected to political bodies.

Facing retirement, elderly journalist Clarence Hubbard reflects on the pointlessness of a life wasted writing banal tabloid human interest, animal, and crime stories. Rather than go quietly to tend roses in a garden, Hubbard begins a series of violent actions not unlike those described in tabloids, and this is heightened by inter cutting tabloid headlines between scenes. Throughout, there are occasional shots of a television critic who watches this very play as it unfolds, and he writes a negative review filled with cleverly phrased but bitter invective.